There is an ongoing quarrel in academia about whether or not a book can be called “great.” The postmodern critics who have taken control of the academy and now edit the journals and determine the curricula insist that so-called “great” books are simply books written by dead, white, European, males and as evidence of pervasive male hegemony the same books are continually selected to be read by captive college audiences of young people who don’t know any better, thereby assuring that they will think like those who went before them. Since there is clearly a political agenda involved, it is said, let the agenda be one that is approved by the postmodernists themselves. So it goes. I have argued in print against this point of view and, frankly my dear, I don’t give a damn any more. I think it is tiresome, academic exercise and the result is that young people no longer read the classics. In any event, perhaps we can at least agree that there are “good” books.
One such book is part of the “masterful tetralogy” The Sea of Fertility written by Yukio Mishima. In the second of these books, the hero, young Isao Iinuma, is an idealistic ultra-conservative in Japan prior to the Second World War at a time when Japan is in a depression and the hero is convinced the nation — and especially the Emperor — can only be saved by people like himself from the “barbarians” from the West who are busily imposing their materialism on Japan. He forms a group of like-minded young men and they target a number of leading figures who, Isao is convinced, are determined to bring Japan to ruin in the name of industrial capitalism and higher profits for themselves. As I read this bells were going off all over the place, and especially when I read Isao’s assessment of the man he regarded as enemy #1, Kurahara, an immensely wealthy capitalist who is described by the narrator as “”the unmistakable incarnation of a capitalism devoid of national allegiance. If one wanted to portray the frightening image of a man who loved nothing, there was no better model than Kurahara.”
I pondered the descriptive phrase “capitalism devoid of national interest” and thought of the many wealthy Americans who think only of themselves and not of their fellow citizens. Their attitude works its insidious way through society by way of those wealthy few who have bought themselves politicians who answer to their every whim. I have had a problem with capitalism ever since I read R.H. Tawney’s classic Religion and the Rise of Capitalism in college. I was struck by Tawney’s conviction that there is an inherent contradiction between capitalism and Christianity, and have for years wondered how on earth this country, which insists that it has its roots in Christianity could embrace free-market capitalism — an economic system that stresses selfishness finding a home in the bosom of a religion that stresses selflessness. But Mishima’s point does not focus on capitalism, per se, it focuses on “capitalism devoid of national interest.” That is, Isao’s target is a man who “loves nothing,” who embodies the ideal of capitalist selfishness, who has no interest whatever in the well-being of his country or the people who live there.
Is it only me, or does this ring bells with you as well?
Enlightening post. You have two great themes in your post, one on the cultural bias for white European literature at the expense of others and the other being unfettered capitalism at odds with Christianity and a greater good for the nation. Both are profound in their own rights. On the latter, I see how the powers that be (let’s call them Koch for kicks) use pressure point issues to perpetuate their hidden cause to make a lot of money with fewer obstacles. Their selfish greed is masked which makes it even more dangerous to the rest of us. On the former, just because a great book was written by an old white guy doesn’t make it bad or good. There are a lot of great books you have noted by this ancestry, but also a lot of great books that don’t get enough air time written by others. Well done. BTG
Wow! A great post to fire up the neurons!
Thanks, Ilene!
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