I am reblogging a post from several years ago that makes the point I was trying to make in my last post in a slightly different — and more effective — way.
We pride ourselves on being open and honest about our most private lives. We think ourselves superior to the Victorians, with all their hangups, their unwillingness to discuss sex or to see one another naked. We have been taught by every pop psychologist who can set pen to paper or manage a spot on a daytime TV show that we must let it all hang out to be healthy: it’s not good to repress our feelings. Though they may never have read him, these people are playing fast and loose with some of the ideas of Sigmund Freud who knew whereof he spoke. But it is no more clear that these ideas are truly Freudian than it is that we are any healthier than the Victorians, for all our “honesty” about sex and the widespread display of naked bodies on the TV and movie screens. Wallace Stegner, who has a way of asking troublesome questions, wrote about this and presents us with an interesting set of questions.
In his Pulitzer-winning novel, Angle of Repose, his hero is writing a history of the marriage between his grandmother and her husband, whom he greatly admires. His grandmother was an unadulterated Victorian woman, a lady, and one who bore all the burdens of womanhood in an age when women were supposed to be handmaids to their husbands — a quality that has come under severe scrutiny from the feminists among us. In his novel, Stegner also presents us with a young, liberated woman named Shelly Rasmussen, who helps the wheelchair-ridden narrator in his attempts to gather material for his history and get it ready for him to work with. Shelly is in her early 20’s and has already had a failed relationship with an “acid-head” who has forced her to flee back to her parents where she finds work with Lyman Ward, historian, and narrator of this story. While musing about one of the chapters Ward has written about his grandmother, Shelly admonishes him for being prudish about his grandmother’s sex life. If this “history” is largely a novel, why not juice it up and make it more interesting, instead of turning out the lights just when things get interesting? Ward muses:
“I felt like asking her, if contemporary sexual attitudes are so much healthier than Grandmother’s, how Grandmother managed to get through a marriage that lasted more than sixty years, while Shelly Rasmussen hides out in her parents’ house at the age of twenty or so to escape the attentions of her liberated and natural lover.”
Stegner’s novel was written in the early 1970s, soon after the radical movement had blown the top off pretense and restraint, as one might say, and started “telling it like it is.” Stegner may be reeling somewhat from the aftershock of that explosion, but his questions still seem bothersome many years later: are we really better off for all our “honesty”? We have been told we are, but it is not all that obvious.
Freud, of course, never said we should let it all hang out, and if we were leaning on Freud for our psychological insights, instead of a bevy of pop-followers who may never have read the man’s works, we would learn that civilization presupposes repression, or at the very least, sublimation, in order to provide us with the many benefits we so much take for granted. Repression does result in neuroses, but there never was a time when humans were completely free of those — even caused early-on in history by numerous tribal taboos. Freud knew all about repression, and he borrowed Nietzsche’s notion of sublimation to instruct us about the mechanism that makes creativity and real progress possible. It’s not all about “letting it all hang out,” it’s all about being honest with ourselves and acknowledging those things that inhibit us, facing up to them, and “sublimating,” i.e., redirecting, our energies in productive ways.
Lyman Ward sits imprisoned in his wheelchair in almost constant pain, looking at a picture of his grandmother on the wall, a face that reflects “discipline, self-control, modesty. . ” Then he notes Shelly Rasmussen sprawled on the floor, disheveled, unkempt, bra-less and full of rage, letting it all hang out — literally and metaphorically. Readers are aware not only of the stinging things this young woman says to an elderly, retired professor of history who is racked with pain, grilling him and critiquing his book and his prudery as well as his beloved grandmother’s. But we are also aware of the fact that she has the audacity to do so in the first place. Without a doubt, we are less civilized than the Victorians; we live such shallow lives. We are asked by Stegner to question whether we are happier.