Tag Archives: sublimation

Is Repression a Bad Thing?

This is one of my first posts — eight years old, would you believe?! I repost it here because it stresses one of my favorite themes and it still seems to me to be relevant, and the fact that it brought about needed change shows how powerful and influential my posts have been.

We pride ourselves on being open and honest about our most private lives. We think ourselves superior to the Victorians, with all their hangups, their unwillingness to discuss sex or to see one another naked. We have been taught by every pop psychologist who can set pen to paper that we must let it all hang out to be healthy: it’s not good to repress our feelings. Though they may never have read him, these people are playing fast and loose with some of the ideas of Sigmund Freud who knew whereof he spoke. But it is no more clear that these ideas are truly Freudian than it is that we are any healthier than the Victorians, for all our “honesty” about sex and the widespread display of naked bodies on the TV and movie screens. Wallace Stegner, who has a way of asking troublesome questions, wrote about this and — like all good novelists — presents us with an interesting set of questions.

In his Pulitzer-winning novel, Angle of Repose, his hero is writing a history of the marriage between his grandmother and her husband, whom he greatly admires. His grandmother was an unadulterated Victorian woman, a lady, and one who bore all the burdens of womanhood in an age when women were supposed to be handmaids to their husbands — a quality that has come under severe scrutiny from the feminists among us. In his novel, Stegner also presents us with a young, liberated woman named Shelly Rasmussen, who helps the wheelchair-ridden narrator in his attempts to gather material for his history and get it ready for him to work with. Shelly is in her early 20’s and has already had a failed relationship with an “acid-head” who has forced her to flee back to her parents where she finds work with Lyman Ward, historian. While musing about one of the chapters Ward has written about his grandmother, Shelly admonishes him for being prudish about his grandmother’s sex life. If this “history” is largely a novel, why not juice it up and make it more interesting, instead of turning out the lights just when things get interesting? Ward muses:

“I felt like asking her, if contemporary sexual attitudes are so much healthier than Grandmother’s, how Grandmother managed to get through a marriage that lasted more than sixty years, while Shelly Rasmussen hides out in her parents’ house at the age of twenty or so to escape the attentions of her liberated and natural lover.”

Stegner’s novel was written in the early 1970s, soon after the radical movement had blown the top off pretense and restraint, as one might say, and started “telling it like it is.”  Stegner may be reeling somewhat from the aftershock of that experience, but his questions still seem bothersome many years later: are we really better off for all our “honesty”? We have been told we are, but it is not all that obvious.

Freud, of course, never said we should let it all hang out, and if we were leaning on Freud for our psychological insights, instead of a bevy of pop-followers who may never have read the man’s works, we would learn that civilization presupposes repression, or at the very least, sublimation, in order to provide us with the many benefits we so much take for granted. It does result in neuroses, but there never was a time when humans were completely free of those — caused early-on by numerous tribal taboos. He knew all about repression, and he borrowed Nietzsche’s notion of sublimation to instruct us about the mechanism that makes creativity and real progress possible. It’s not all about “letting it all hang out,” it’s all about being honest with ourselves and acknowledging those things that inhibit us, facing up to them, and redirecting our energies in productive ways.

Lyman Ward sits imprisoned in his wheelchair in almost constant pain, looking at a picture of his grandmother on the wall, a face that reflects “discipline, self-control, modesty. . ” Then he notes Shelly Rasmussen sprawled on the floor, disheveled, unkempt, bra-less and full of rage, letting it all hang out — literally and metaphorically. Readers are aware not only of the stinging things this young woman says to an elderly, retired professor of history who is racked with pain, grilling him and critiquing his book and his prudery as well as his grandmother’s. But we are also aware of the fact that she would have the audacity to do so in the first place. Without a doubt, we are less civilized than the Victorians; we live such shallow, self-absorbed lives. We are asked by Stegner to question whether we are happier.

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Violence Revisited

By and large my blog posts are not to everyone’s taste. The only blog post I ever wrote that could be regarded as “popular” by stretching the term a bit, was the one I wrote in 2013 about Freud’s take on violence. I suspect the popularity of that post is due to the fact that it has been “borrowed” for many a term paper in some of America’s least prestigious colleges and universities! In any event, I  have always been fascinated by the question why Americans in particular have been so prone to violence and I found that Hannah Arendt and Freud together tell us a great deal about the sources of the phenomenon. For those interested in that very popular earlier post I refer them here.

In this regard I am reading a book by the Australian sociologist John Carroll titled Guilt:The Grey Eminence Behind Character,History, and Culture which sheds some light on the subject. The book appears to be an attempt to flesh out the position Freud takes in his book Civilization and Its Discontents. In that book Freud argued that civilization is the result of the sublimation of aggressive impulses that lie in each of us “beyond the pleasure principle.” Carroll, insists that anxiety is one of the major reasons why humans experience the aggressive impulse; he expands on this argument in his own book:

“The critical question in all cases of sharp injections of anxiety is whether aggression is directed inwards or outwards. When it goes outwards, in violence, in hard work, in religious ritual — the more strenuous and self-punitive the better — even in screaming and wailing, then the provoking anxiety will be largely relieved. On the other hand, when it turns inwards it creates guilt. . . “

Freud would have spoken about the Super Ego and conscience, and nowhere, so far as I know, does he speak about anxiety as a trigger for aggression. None the less, it is plausible. But, however they may originate, when a person is able to sublimate the aggressive impulses inwards he is often able to channel those impulses into creative work. The result of channeling this aggression is not only guilt and remorse and even neurosis, it is what we call “civilization.” Those things we take so much for granted are the result of sublimated aggression, for the most part; sublimation begins in childhood with parental admonitions and proscriptions. And the neurosis is small price to pay for the results we all take for granted. Moreover, neurotic people are frequently the most talented and interesting people we know!

In a permissive society, where parental admonitions and proscriptions are seldom found, the aggressive impulses triggered by anxiety are not directed inwards forming a conscience; rather, they are directed outwards and if we note what Carroll says, almost in passing, the result is often violence. We see this in the spoiled child who has tantrums and strikes out in all directions in an effort to release those impulses that are barely beneath the surface in his case. Those of us who are presumably adults with a lively conscience have been taught not to express those aggressive impulses; we have learned not to release them outwards. But a permissive society allows them to be expressed — one might argue that many a modern psychologist has told parents not only to allow it to be expressed but to encourage it.

Be that as it may, if we are looking for a possible cause why Americans have become so violent — in their preference for violent games and movies as well as in their preference for violent sports — we might consider the very real possibilities that anxiety is increasingly prevalent, and also we have become far too permissive. The combination is volatile, to be sure. By allowing, and even encouraging, the spoiled child to express himself (he’s only a child and he’s just being honest!) we weaken the conscience and fail to develop what has always been called “character.” The child becomes an anxious and frustrated adult and he seeks violent outlets for the aggression he has been taught is simply an honest expression of his emotions. The result may be a relatively harmless preference for violent forms of entertainment. But it can obviously take a more direct and effective route on the way to violence against others in the form of abuse, physical harm, and even pulling the trigger of an automatic weapon in a crowded school room.

This analysis doesn’t address the question why Americans, especially, have been shown to be so prone to violence. But perhaps, motivated as we are by material success, there is greater anxiety in America than in other cultures — especially among those of us who feel the deck is stacked against them and they cannot possibly achieve material success. It is also possible America is more permissive than most other cultures. I suspect this is true, but that’s for the sociologist to determine.

 

Emotional Honesty

I recently posted a brief discourse on restraint in which I denigrated the notion of emotional honesty as that concept is used today. I should be clear that I am not opposed to emotional honesty, I am opposed to the notion that the only way to behave in an emotionally honest way is to behave like an animal. True, animals are emotionally honest, we must suppose, but that is not by choice. The human tendency to display honesty in the form of animal behavior is a choice we seem to have made.

I suspect the notion that it is somehow a good thing to express our emotional honesty in this manner arises from a misreading of Sigmund Freud who wrote a great deal about “repression.” Later psychologists, in their attempts to develop Freud’s theory, argued that repression is an unhealthy thing and it would be healthier to be as open and honest  about our emotions as possible. The key here is that in order to be mentally healthy we need to be aware of our emotion states, not necessarily to express them openly. If we are mad, we need to acknowledge that fact and not repress it. In fact, Freud distinguishes between “proper” and “primal” repressions.  We need to know just what it is that is being repressed and why.

In Freud’s system it is the id that is repressed, that element of the human psyche that operates under what Freud called “the pleasure principle.” Many who read Freud reduce this to our sexual urges and those are certainly included, but they do not exhaust the urges of the id which includes such mundane things as the urge to eat when we are hungry and strike out when we are mad. We are talking about primal urges.

The healthy individual, according to Freud, seeks to balance the urges of the id with the restrictions of the ego and the super ego — the notion of balance going back to the Greeks, if you can imagine. The most productive way to do this is through “sublimation,” a term Freud borrowed from Nietzsche. When we sublimate the primitive urges which we all experience, we direct them away from their intended object (we don’t hit the Trump supporter) and redirect those urges into creative outlets such as art, philosophy, science, for example, or simply redecorating the living room, going for a run — or, perhaps, writing a blog.

The notion that it is healthy to behave like an animal is therefore a misreading of Freud and completely ignores the fact that repression of those basic urges is necessary if civilization is to survive. In fact, it is through the sublimation of the id that civilization arose in the first place. People need to live together in relative harmony and this is not possible if they are releasing their basic urges every time they are felt. The important distinction here is the acknowledgment of basic urges, which is necessary for mental health and the expression of those urges which reduces the human to the animal — which we all are, but which we presumably seek to rise above: no one seriously wants to live in Hobbes’ state of nature in which life is “solitary, poor, nasty, brutish, and short.”

Thus, when a person (any person, even the president) gives immediate vent to his basic urges, or when the athlete pounds his chest like a Great Ape, he is expressing his emotions, he is being “emotionally honest” in only a restricted sense of that term. More to the point, he is not being all he can be as a human being. When he screws up and apologizes or taps his chest and says “my bad,” he is. The difference is important is we are to grasp just where we stand as human beings. After all, we are living in a precarious civilization that is trending toward dissolution if we do not make every effort to sustain it. And that requires repression, or at the very least, restraint.

Self-Restraint

This post is a continuation of a discussion about the demise of Western Civilization started in the last post.

Civilization, according to Ortega y Gasset, is above all else the “will to live in common.” It centers around the city, including the society of others, civil laws, and morés. It also involves, in most cases, what we loosely call “culture,” which ranges from low to high. “High culture,” which many identify with civilization itself, involves the highest expression of the human spirit in the form of the fine arts, literature, philosophy, and science. Low culture, we might say, centers around the entertainment industry and social media. (Sorry.)

As I have noted in a number of previous blog posts, civilization has come under fire by poets, novelists, and philosophers since the latter part of the nineteenth century and, especially, the early twentieth century. The latest form of the attack comes with what is referred to as “postmodernism,” a movement largely within the academy involving ongoing intellectual protests following the student protests in the 1960s that openly and avowedly seek to eradicate all vestiges of Western Civilization (at the very least). All in the name of “freedom.” The idea is that the restraint that is necessary for human beings to create civilization has resulted in a bourgeois society wallowing in materialism, the suppression of the disadvantaged, and false pleasures. Worse yet civilization has become stifling, suffocating. It is time to throw off the shackles and become free, free of all stuffy customs, false values, and civil constraints which have brought misery to so many, in spite of its so-called benefits.

I summarize, of course, but I do so in order to raise anew the question of whether, in fact, civilization is worth saving, whether or not it has, on balance, brought more misery and suffering than it has beauty and benefits. I confess that I cannot answer that question to my own complete satisfaction, but I suspect the balance is in favor of saving the best of civilization while recognizing that much of what we call the “civilized world” is indeed worthy of rejection. I would suggest, however, that the freedom so many cry out for, the throwing off of the shackles of social norms and restraints, is a snare and a delusion. This is because those who seek to eradicate civilization in the name of greater human freedom seldom, if ever, pause to ask what it is they seek to establish in the place of what they have grown to detest and are keen to destroy. Nor do they think deeply about what freedom is.

Freedom, properly understood, requires restraint. The total absence of restraint is nothing more and nothing less than pure chaos; it is not freedom. Thus, the ideal of the modern and post-modern theorists who would jettison civilization in the name of greater freedom are, in fact, espousing what must be called a “new barbarism,” a world without rules and without concern for others. The ideal figures in this new paradigm would be the thoroughly miserable Underground Man of Dostoevsky. Or it would be, as I suggested in a previous post, Conrad’s thoroughly debased Kurtz. Or it would come in the form of the latest maniac who walks into a school with a loaded automatic weapon and starts shooting at random. These folks embody pure freedom, the absence of restraints, the absence, indeed, of morality which has been thrust aside as nothing more than personal opinion. True freedom, comes at the cost of acknowledging something outside the self that requires the sublimation (to use Freud’s word) of those instincts that we wish to turn loose and instead channel them into creative outcomes. It comes in the form of knowledge of what is and what is not truly valuable. The truly free man or woman acts from the knowledge that what he or she does will make the world around them a better place. Knowledge is the key here. Freedom is not 68 varieties of bread to choose from. It arises from the knowledge of which bread is healthiest.

Personally, I do not wish to live in a world that has as heroes, men (or women) who act without restraint in the name of human freedom, living life to the full — as they see it. I prefer to “live in common,” to help build communities held together by mutual respect and a willingness to sacrifice immediate gratification and unfettered impulse for the sake of something greater than the self. I suppose this is why I have spent so much of my time — and so many words — hoping to preserve some semblance of what is best in Western Civilization, that high culture that sets us apart from those that would simply throw off the chains (as they see it) and turn the demons loose.

There is simply no way to distinguish this alternative world from the world of Kurtz. And we must recall his final words: “The horror! The horror!”

Let It All Hang Out

We pride ourselves on being open and honest about our most private lives. We think ourselves superior to the Victorians, with all their hangups, their unwillingness to discuss sex or to see one another naked. We have been taught by every pop psychologist who can find anyone to listen that we must let it all hang out to be healthy: it’s not good to repress our feelings. Though they may never have read him, these people are playing fast and loose with some of the ideas of Freud who knew whereof he spoke. But it is no more clear that these ideas are truly Freudian than it is that we are any healthier than the Victorians, for all our “honesty” about sex and the widespread display of naked bodies on the TV and movie screens. Wallace Stegner, who has a way of asking troublesome questions, wrote about this and presents us with an interesting set of questions.

In his Pulitzer-winning novel, Angle of Repose, his hero is writing a history of the marriage between his grandmother and her husband, whom he greatly admires. His grandmother was an unadulterated Victorian woman, a lady, and one who bore all the burdens of womanhood in an age when women were supposed to be handmaids to their husbands — a situation that has come under severe scrutiny from the feminists among us. In his novel, Stegner also presents us with a young, liberated woman named Shelly Rasmussen, who helps the wheelchair-ridden narrator in his attempts to gather material for his history and get it ready for him to work with. Shelly is in her early 20’s and has already had a failed relationship with an “acid-head” who has forced her to flee back to her parents where she finds work with Lyman Ward, historian. While musing about one of the chapters Ward has written about his grandmother, Shelly admonishes him for being prudish about his grandmother’s sex life. If this “history” is largely a novel, why not juice it up and make it more interesting, instead of turning out the lights just when things get interesting? Ward muses:

 “I felt like asking her, if contemporary sexual attitudes are so much healthier than Grandmother’s, how Grandmother managed to get through a marriage that lasted more than sixty years, while Shelly Rasmussen hides out in her parents’ house at the age of twenty or so to escape the attentions of her liberated and natural lover.”

Stegner’s novel was written in the early 1970s, soon after the radical movement had blown the top off pretense and restraint, as one might say, and started “telling it like it is.”  Stegner may be reeling somewhat from the aftershock of that experience, but his questions still seem bothersome many years later: are we really better off for all our “honesty”? We have been told we are, but it is not all that obvious.

Freud, of course, never said we should let it all hang out, and if we were leaning on Freud for our psychological insights, instead of a bevy of pop-followers, we would learn that civilization presupposes repression, or at the very least, sublimation, in order to provide us with the many benefits we so much take for granted. It does result in neuroses, but there never was a time when humans were completely free of those — caused early on by numerous tribal taboos. He knew all about repression, and he borrowed Nietzsche’s notion of sublimation to instruct us about the mechanism that makes creativity and real progress possible — the redirecting of creative energy outward. It’s not all about “letting it all hang out,” it’s all about being honest with ourselves and acknowledging those things that inhibit us, facing up to them, and redirecting our energies in productive ways.

Lyman Ward sits imprisoned in his wheelchair in almost constant pain, looking at a picture of his grandmother on the wall, a face that reflects “discipline, self-control, modesty. . ” Then he notes Shelly Rasmussen sprawled on the floor, disheveled, unkempt, bra-less and full of rage, letting it all hang out — literally and metaphorically. Readers are aware not only of the stinging things this young woman says to an elderly, retired professor of history who is racked with pain, grilling him and critiquing his book and his prudery as well as his grandmother’s. But we are also struck by the fact that she would have the audacity to do so in the first place. Without a doubt, we are less civilized than the Victorians; we live such shallow lives. We are asked by Stegner to question whether we are happier.

Let It All Hang Out.

We pride ourselves on being open and honest about our most private lives. We think ourselves superior to the Victorians, with all their hangups, their unwillingness to discuss sex or to see one another naked. We have been taught by every pop psychologist who can set pen to paper that we must let it all hang out to be healthy: it’s not good to repress our feelings. Though they may never have read him, these people are playing fast and loose with some of the ideas of Freud who knew whereof he spoke. But it is no more clear that these ideas are truly Freudian than it is that we are any healthier than the Victorians, for all our “honesty” about sex and the widespread display of naked bodies on the TV and movie screens. Wallace Stegner, who has a way of asking troublesome questions, wrote about this and presents us with an interesting set of questions.

In his Pulitzer-winning novel, Angle of Repose, his hero is writing a history of the marriage between his grandmother and her husband, whom he greatly admires. His grandmother was an unadulterated Victorian woman, a lady, and one who bore all the burdens of womanhood in an age when women were supposed to be handmaids to their husbands — a quality that has come under severe scrutiny from the feminists among us. In his novel, Stegner also presents us with a young, liberated woman named Shelly Rasmussen, who helps the wheelchair-ridden narrator in his attempts to gather material for his history and get it ready for him to work with. Shelly is in her early 20’s and has already had a failed relationship with an “acid-head” who has forced her to flee back to her parents where she finds work with Lyman Ward, historian. While musing about one of the chapters Ward has written about his grandmother, Shelly admonishes him for being prudish about his grandmother’s sex life. If this “history” is largely a novel, why not juice it up and make it more interesting, instead of turning out the lights just when things get interesting? Ward muses:

“I felt like asking her, if contemporary sexual attitudes are so much healthier than Grandmother’s, how Grandmother managed to get through a marriage that lasted more than sixty years, while Shelly Rasmussen hides out in her parents’ house at the age of twenty or so to escape the attentions of her liberated and natural lover.”

Stegner’s novel was written in the early 1970s, soon after the radical movement had blown the top off pretense and restraint, as one might say, and started “telling it like it is.”  Stegner may be reeling somewhat from the aftershock of that experience, but his questions still seem bothersome many years later: are we really better off for all our “honesty”? We have been told we are, but it is not all that obvious.

Freud, of course, never said we should let it all hang out, and if we were leaning on Freud for our psychological insights, instead of a bevy of pop-followers who may never have read the man’s works, we would learn that civilization presupposes repression, or at the very least, sublimation, in order to provide us with the many benefits we so much take for granted. It does result in neuroses, but there never was a time when humans were completely free of those — caused early-on by numerous tribal taboos. He knew all about repression, and he borrowed Nietzsche’s notion of sublimation to instruct us about the mechanism that makes creativity and real progress possible. It’s not all about “letting it all hang out,” it’s all about being honest with ourselves and acknowledging those things that inhibit us, facing up to them, and redirecting our energies in productive ways.

Lyman Ward sits imprisoned in his wheelchair in almost constant pain, looking at a picture of his grandmother on the wall, a face that reflects “discipline, self-control, modesty. . ” Then he notes Shelly Rasmussen sprawled on the floor, disheveled, unkempt, bra-less and full of rage, letting it all hang out — literally and metaphorically. Readers are aware not only of the stinging things this young woman says to an elderly, retired professor of history who is racked with pain, grilling him and critiquing his book and his prudery as well as his grandmother’s. But we are also aware of the fact that she would have the audacity to do so in the first place. Without a doubt, we are less civilized than the Victorians; we live such shallow lives. We are asked by Stegner to question whether we are happier.